Although we knew that as I moved up the chain, I'd get a private office like most of the other guys.Another unexpected flaw in Jane's and my master plan was that, as the new guy, Jim Martin the department head decided that I needed to familiarise myself with the departments clients and that led to numerous overnight trips all over the bleeding country. Instead of spending more time together, Jane and I were apart more than we had been since almost as far back as that day we were stuck in the lift together.We had been married over four years by then, so we just sat back and bit the bullet. We knew that once I'd visited, spent some time with and got to know all the clients then I wouldn't be away half as much.Well that was the state of play when I suddenly realised that everything wasn't quite as kosher as it should have been. Two snippets of overheard conversation were to tell me that some bastard was pulling my bleeding chain and I got really out of my pram over it. Alone they meant. Susan seemed to glance my direction repeatedly, but she didn’t say anything to anyone but Kendra. I considered switching projects and trying to paint from a live model for a minute. But I was working on a particularly intense dreamscape that I’d sketched months before. I’d remembered the sketch that I called simply, ‘Need.’ It was when I’d first discovered I was needed. I still didn’t understand it. I returned my focus to my painting and didn’t even realize when everyone else left.It was nearing the end of our semester when Kendra carted in a huge plaster model of her premier work, Mavis and me. Mavis came in behind her.“Arthur, we need you to pose with Mavis again so Morgan and I can capture the aura interaction,” Kendra said. “You said you’d do it and I’m almost finished with welding the bronze casting. I want to start on the glass work as soon as the patina is finished.”I was a little irritated because I was painting one of my own renditions of Mavis. It was difficult because I.
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